The choreography (Ita O’Brien) is so graceful one can forget that bullfighting, though beautiful in the movement of the matadora, is such a barbaric practice. Sweetly inventive and brazenly original.. |
The first thing to grab your attention right as the play opens is the graceful movement and genuine beauty of the piece, thanks to movement director Ita O’Brien. As you watch the opening scene, the two main characters moving in unison, it is very clear that you are about to watching something special. |